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Canon EF 200mm f/2.8L II USM Telephoto Lens for Canon SLR Cameras

Brand: Canon
Category: Photography

List Price: $1,100.00
Buy New: $655.00
You Save: $445.00 (40%)



New (7) Used (2) from $625.00

Rating: 5.0 out of 5 stars 16 reviews

Media: Electronics
Minimum Focal Length: 200
Shipping Weight (lbs): 2.4
Dimensions (in): 8.1 x 5.5 x 5.3

MPN: 2529A004
Model: CANON EF 200MM F2.8L II USM
UPC: 082966213311
EAN: 0082966213311
ASIN: B000053HBB

Availability: Usually ships in 1-2 business days

Features:
  • 200mm telephoto lens with f/2.8 maximum aperture for Canon SLR cameras
  • 2 ultra-low-dispersion (UD) glass elements and rear focusing system
  • Ultra-sonic monitor (USM) for quick, highly accurate autofocusing
  • 4.9-foot close focusing distance; produces natural-looking background blur
  • Measures 3.3 inches in diameter and 5.4 inches long; weighs 1.7 pounds

Accessories:

  • Tiffen 72mm UV Protection Filter
  • Adorama Deluxe 5 Piece Lens Cleaning Kit
  • Tiffen 72mm Photo Essentials Filter Kit
  • Canon Lens Rear Cap for Canon EF SLR Lenses
  • Canon E-58U 58mm Snap-On Accessory Lens Cap

Similar Items:

  • Canon 72mm UV Haze Filter
  • Canon EF 1.4X II Extender Telephoto Accessory
  • Tiffen 72mm UV Protection Filter
  • Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras
  • Canon EOS 40D 10.1MP Digital SLR Camera with EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens

Editorial Reviews:

Amazon.com Product Description
Zoom in on a favorite subject from a distance with the Canon EF 200mm telephoto lens. Offering a long focal length that lets you effectively compress the distance between the subject and camera, the lens lets you easily capture the details and feeling of a far-off scene. The lens is distinguished by two ultra-low-dispersion (UD) glass elements and a rear focusing system to correct aberrations, producing extremely sharp images. The lens also offers a natural-looking background blur and comes with a dedicated, detachable hood. The lens carries a one-year warranty.

  • Focal length: 200mm
  • Maximum aperture: f/2.8
  • Lens construction: 9 elements in 7 groups
  • Diagonal angle of view: 12 degrees
  • Focus adjustment: Rear focusing system with USM
  • Closest focusing distance: 4.9 feet
  • Filter size: 72mm
  • Dimensions: 3.3 inches in diameter, 5.4 inches long
  • Weight: 1.7 pounds


Product Description
Telephoto lens boasting high image quality and carrying ease. With two UD-glass elements and rear focusing to correct aberrations, image delineation is extremely sharp. Background blur is also natural-looking, as was simulated by Canon. The lens comes with a dedicated, detachable hood.


Customer Reviews:   Read 11 more reviews...

5 out of 5 stars The perfect lens to start you with L Primes   October 22, 2008
Interestingly, the price has crept up a bit on this lens in the last few months. It's value must be becoming more apparent to more folks. Nice to have bought before it went up instead of vice versa.

Nevertheless, this is the most reasonably priced of the Canon L Primes & is a perfect one to start out with, if you don't own any yet. This lens is tack sharp, has very true, very vibrant color and high contrast. In all these areas, it is probably just shy of the 135mm, 85mm and 50mm lenses, but this is a discerning eye speaking, and these are subtle (although modestly notable differences). The difference between this and an ordinary Canon lens will be much greater.

As a side note - if you already own either or both the teleconverters (1.4x and 2x), they work very well with this lens. It maintains AF with both, due to it's speed. And this is a small light lens, considering the focal length. With a 2x it becomes a 400mm f/5.6, yet it is much lighter, narrower, and more portable than any comparable variation (the 100-400mm L, or any of the 400mm L primes, of which there are two, plus a non-L DO prime that looks like an L, and might fool you). If you intend to shoot all the way out at 400mm mostly, this is probably the cheapest method, and the quality loss is less with the 2x on this lens than with many/most others.

Whatever your choice, this is probably the most reasonable L value on the market and is a very smart buy if you wish to see what all the fuss is about.

And Yes, the fuss is warranted. L's are that good.



5 out of 5 stars Top of the line!!!   October 16, 2008
This is a 5 star lens. If you want a lens much smaller that the 70-200 2.8L and 70-200 F4L but want the quality the 200 F2.8L is the way to go. I purchased the 70-200 F4 and found it just a little to big. The 200 2.8 is perfect.I have also gotton excellent bokeh with this lens.
Pic here to see bokeh photo.net/photodb/photo?photo_id=2820979
If you are looking for an all in one lens go buy a 28-300 zoom. This is not that lens.



5 out of 5 stars Fantastic Lens!   October 2, 2008
 0 out of 1 found this review helpful

I love this lens. I've already been shooting with it and have only had it for one day. So far, it meets/exceeds my expectations. I got it at a great price. So far, so good.


5 out of 5 stars Sharp, sharp, sharp....a wonderful lens at a great price   July 12, 2008
 4 out of 4 found this review helpful

This lens is Canon's biggest bargain and a rather well kept secret. The 200 f2.8 L lens is an amazing value and has the "red ring", Canon's professional rating. One shoot will convince you of it's value.
Photos taken with this lens are extremely sharp, with colors rich and deep; it takes the 1.4x teleconverter well, adding range. The lens takes sharpening extremely well. I find it easy to handhold, and rarely use my tripod. In comparison, the Canon 70-200 f2.8 was simply impossible for me to use without a tripod; it's size and weight defeated me regardless of the IS. A direct comparison of shots between the smaller 200 f2.8 and the large 70-200 showed the prime in my case to always be superior.
Although the zoom lens are a convenience I personally find I am always at the long end of the telephoto within the 70-200 range. I own 9 Canon lens, owned the 70-200 f2.8 IS L and sold it, keeping this lens in its place. The advantages are many - I find it much sharper, easier to handhold than the white lens at 200, it is possible to take it to affairs where they will not allow the big white lens, and much, much, MUCH less conspicuous. My husband uses the camera on autofocus only, and his shots are outstanding with this lens. He is an artist and has a great eye; matched with this lens he gets what he wants.
The price is outstanding for such high quality;this amazing lens is a genuine bargain in today's camera world. Let's hope that Canon doesn't wise up and price this according to it's quality. Have owned it for several years, definitely a keeper. Buy it - you will not regret it.



5 out of 5 stars A beautiful lens   February 10, 2008
 3 out of 3 found this review helpful

amazing lens.. great sharpness, great contrast rich color.. and fast, the USM performs quickly, silently and quite accurate.. considering the alternative this one is a nice package

sharpness is great at f/2.8 and outstanding at f/4 and above. i would like to point out that even at f/2.8 applying unsharp-mask easily increase the sharpness a great deal..this lenses handle post processing better than my other lenses.. i rarely stop down to get sharper results, but rather aim for shutter speed and depth of field which is very shallow at f/2.8 (thats a good thing)..

comparing it with the 70-200mm zooms the decision is not easy.
here are some points that might help you make your decision..

1) this lens is as sharp if not sharper than the 70-200 zooms which are notorious for their excellant performance

2) are you planning on using teleconverters ( 2x, 1.4x ).. primes generally suffer less with teleconverters.. and losing a stop will not slow down the f/2.8 much

3) this lens is perfect for street photography and moderate wildlife, while lacks the versitality of a zoom, it certainly is more compact and less obvious

4) if you need f/2.8 at almost half the price of a zoom..
f/2.8 is fast and the depth of field at 200mm f/2.8 is very nice and very shallow. missing the focus plane by a few millimeters can throw your subjuct out of focus. background blur is smooth and beatifull at this focal length






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